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Intaglio Printmaker Prize Winner: Sharon Baker

We are pleased to share that Sharon Baker was chosen as this year’s winner at the Derby Print Open 2026 exhibition. We enjoyed the vintage theatrical aesthetic and deadpan, wry humour captured in Sharon’s winning piece ‘The Happy Couple’, alongside the considered tonal control in this photopolymer print. We caught up with Sharon to find out more about her process. 

'The Happy Couple' by sharon Baker

The Happy Couple

Edition Varied of 20

Polymer Photogravure

Image size H 41.5 x W 59cm
Paper size H 52 x W 69cm

Please could you tell us a bit more about the inspiration behind the work? 

I was invited to create work in response to the novel ‘Don Quixote’ by Cervantes for a group exhibition. When I read the novel, I wanted to put a face to the name of the female character Dulcinea. She is repeatedly mentioned but is imaginary and never seen. I imagined my own ending to the novel and my print is my tongue-in-cheek visualisation. ‘The Happy Couple’ depicts a fictitious Don Quixote and Dulcinea together in later life living not quite ‘happily ever after’. I am poking fun at traditional chivalric fairy story endings when the hero and heroine get married and live ‘happily ever after’. The image is based on a vintage postcard I’ve had in my possession for over thirty years.

What made you get into printmaking? 

I’ve always known about printing as my dad was a commercial lithographic printer at James Upton Limited in Birmingham. I studied Fine Art at Wolverhampton and went into the print department to do a module learning plate lithography, and I never left. I was hooked! Funny really considering my Dad’s occupation.

 Tell us about your other works – are they similar or different? Do you tend to work within one technique?

My other works may have some underlying thematic links but can look distinctly different. My work is eclectic: the subject and content changes depending on what I am interested in.  I tend to produce work in series which have contrasting styles depending on my subject matter and the processes I am using.

I use different printing processes depending on the imagery I am working with, and I sometimes incorporate collage and stitching. I’ve made work over the years using photopolymer intaglio etchings and last year I began learning the polymer photogravure technique using KM73 plates. They capture a greater depth of tonality and fine detail than the photopolymer film I’ve used in the past. Over recent years I’ve also worked with photo-lithography, mono-printing and linocut.

What would be on your ultimate Intaglio Printmaker wish list?

Lots of Toyobo Printlight KM73 Solar Plates to experiment with.
Traditional Charbonnel etching inks and Intaglio Printmaker etching inks.
Hahnemühle 300gsm etching paper, Somerset Velvet 300gsm paper and some fine Japanese gampi papers.
I’d like to treat myself to some new blankets for my etching press (a wonderful Bewick and Wilson press that I adore).

If you could own one artwork, what would it be?

It would always be a print, and it’s hard to select just one.  I’ll happily have Sol Lewitt’s ‘Wavy Horizontal Lines’ (Diptych) 1996 etching, aquatint, and photogravure that I saw in the ‘Counterpoint’ show at Cristea Roberts Gallery in London in 2024.

 

Sharon baker - About the artist

Sharon Baker (UK) is a Birmingham-based printmaker creating atmospheric prints evoking emotions and moods.

Working with photoetching, monoprint and, more recently, polymer photogravure, Baker is inspired by domestic, every-day, commonplace scenes and draws on nostalgia, memory, and ideas around class and culture, to create her prints. 

Her work is eclectic and develops in different styles depending on her subject matter and processes. One work strand is routed in Nineteenth Century photographic Pictorialism in the creation of grainy, monochrome, photo-based prints where her imagery relies on a controlled tonality to create their unique atmosphere. Another area of exploration is more abstract using gestures repeated and juxtaposed in different, nuanced visual meditations. Her images suggest both solidity and fragility and patterns of flux and motion. Motifs reoccur in her work over the years and become personal emblems.

Baker’s prints have been shown in exhibitions in Europe and the UK including in the House of Commons. Winner of the Westmorland Landscape Prize (2019). Awarded a printmaking residency in Germany by the Coventry-Dresden Arts Exchange (2022). Recent exhibitions include International Original Print Exhibition (2025) ING Discerning Eye (2025) Leamington Spa Open (2026) RBSA Portrait Prize (2026) and The Derby Print Open (2026).

Congratulations on your win, Sharon!


Follow along with Sharon’s work and process:

Instagram:

@sharonbakerartistprintmaker

sharonbaker.co.uk